I’m thinking about how one of Leia’s love languages is most likely touch. For all of her reputation as an ice princess, she is very physically affectionate.
We see this on the Death Star when she kisses Luke for luck, and again when she hugs Han after surviving the trash compactor. She hugs both Han and Luke and does not let go after they return.
Then, in Empire, you see Leia being very unafraid to enter Han’s physical space. If you notice in the med-center on Hoth, it isn’t Han putting his arm around her that makes her pull away, it’s the words coming out of his mouth that make her jerk away. Then, we get to the big kiss on the Falcon, and once again, Leia (despite her protests) doesn’t actually seem all that uncomfortable with his proximity, rather the feelings she has for him. But the kiss happens, and suddenly it’s zero to 100.
For real, Han probably got whiplash. All of the sudden after three years of dancing around each other to the point that he was almost going to give up, suddenly Leia is everywhere. Putting her hand on his shoulder, kissing his cheek. And he also registers this, because on Cloud City he is always reaching out to hold her hand, give easily give her forehead kisses. The moment there’s danger, the first thing he does is reach for her. Then after he returns from what is probably the worst first meeting with your girlfriend’s dad EVER, the first thing Leia does is just start stroking his hair. The last thing she does before the carbon freeze is kiss him. The movie ends with her in Luke’s embrace, seeking comfort when she is vulnerable.
Then, there’s ROTJ. From the minute they’re reunited, Leia is always physically affectionate with Han. We get another shoulder touch in the shuttle. On Endor, he picks her up and spins her before kissing her after he doesn’t get eaten by Ewoks, she curls up to him during story-time. After Luke drops the bombshell and dips the only thing she asks Han to do is hold her. Leading to the end of the film, where there’s that shot of him just cocooning her in his arms.
Anyway, just some thoughts on my favorite rebel princess and her nerf-herder.
(Luckily, the Bentley gets great mileage.)
I was thinking about Midge and Lenny while working on a new chapter of “Very Blue Lives” (it’s on ao3, please go read and review. I need validation like Lenny and Midge need each other).
Anyways, I was thinking about Midge and Lenny in Miami and why Midge turned Lenny down.
Sure the bs Vegas train wreck just happened, and Carol kind of freaked her out, but those answers are boring.
First of all, he’s weirdly reluctant to talk about her career. In Miami, whether she knows it or not, Lenny’s avoidance to discuss her career is part of the reason she walks away. Flash forward to the blue room, he’s making it clear that he listens to her and promises to take her seriously, and that’s when she decides “yes, okay. Let’s see what’s between us.”
She needs him to take her seriously as a comic, and once she realizes that he does, she’s willing to be vulnerable with him as a woman.
And that’s a great step for Midge, who isn’t taken seriously personally or professionally, especially by people she loves.
Okay, the next installment of Domestic Burlesque is up. This deals with some heavy elements so mind the tags. Please tell me what you think!
Season Two Spoilers Below
Okay, so when Shax and Aziraphale are in the car, Shax says to Aziraphale, “You don’t seem his [Crowley’s] type at all.”
…
WHAT DOES THAT MEAN?!
What does she think Crowley’s type is? What is she basing this assumption on? Crowley’s aesthetic? Did Crowley curate some kind of reputation as a lusty tempter of goths downstairs in some hilarious scheme? How?! He’s so bad at that kind of stuff!
Maybe she’s just preying on Aziraphale’s insecurities?
I need to know!!!!
TMMM Series Finale Review:
- Midge…WHY DIDN’T YOU JUST GO TALK TO LENNY?!?!
- I love Abe
- Stop cutting to Joel!
- Aww Susie!
- Aww Rose!
- Chinese Restaurant Scene broke me and she keeps the Fortune!!!
- The ending with Midge and Susie is great
- This is still a disappointing season overall.
Noah’s “judge my wife if you dare” look is severely underrated. It’s so beautiful that he loves her so much even though everyone else thinks she’s weird. He sees the sweet, generous, thoughtful woman that Astrid is. Religion, the opinions of others, having children, none of it matters because he just loves her.
So, I saw two movies yesterday.
These reviews are spoiler free.
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The first was the DnD Movie, which I really liked. I went in a huge group with one of my college clubs. It’s shot really well, tons of fun, has a great soundtrack, and feels like a DnD campaign. My only complaints were that the exposition dumps were sometimes super long and obvious, and the final dilemma between Holga, Edgin, Kira, and Zia felt a little too rushed. There should have been a little bit of conversation between Edgin and Kira. Also, Regé-Jean Page should have been in the movie more. But, literally everyone in the movie happens to be ridiculously gorgeous on top of being great in their roles.
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Now…
The Mario Movie. So, a couple of us stayed at the theater after the DnD movie, because we figured “we’re already here and none of us will ever come see this on our own.”
So, at this point it was almost 10 at night on a Thursday, we had 15 minutes before the film started, and the theater was completely out of snacks. So we all piled into a car, ran to a Walmart and loaded up on snacks (I finally understand the “Kids in the candy store” expression) to sneak into the theater. We were all giddy and giggly and running around like madmen. (Nothing unusual for a Walmart at that time of night, I’m sure).
So, we get back and smuggle our snacks in just before opening previews begin. We’re nerds and we don’t party or stay out, so the fact that we’re doing this is making us giddy beyond belief, and the five of us have the whole theater to ourselves, getting ourselves high on sugar and cracking jokes…
And that’s where the memories end. We spent the entire movie cracking jokes, screaming when Mario Kart references were made and being generally rowdy (once again the theater was empty other than us).
I legitimately don’t remember anything about the movie other than not being super impressed by the voice performances (the script for Peach in particular was not doing Anya Taylor-Joy any favors).
The one thing that is genuinely impressive is the animation. They really took the time to make it look like the games, there was clearly a lot of genuine effort and care put into it. There are so many references to the games that are there for the fans. Some of the lighting effects were genuinely amazing as well.
The rest of it…the plot… it was predictable and forgettable in every sense of the word.
Except for the nihilistic blue star. They were iconic.
Also, Jack Black is a National Treasure. Please go watch the full “Peaches” music video. It’s amazing.
I couldn’t for the life of me figure out why “Every Breath You Take” is on Crowley’s playlist. Other than it provides the “E” to spell out ‘tempting’. But there’s plenty of other songs they could’ve chosen. So why pick the stalker song?
Then it occurred to me that it’s not about Aziraphale. It’s how Crowley feels Heaven and Hell watch him.
Season Two Spoilers Below
Alright, I’m gonna go on the defensive for Aziraphale.
Crowley is 100% justified to feel the way he does. He put himself in a vulnerable position, and was rejected. He wanted to be Aziraphale’s first choice for once, and yet again was denied it. More than that, Aziraphale wanted him to change (even though I think Aziraphale thinks he’s saving Crowley) so that they could be together.
But I don’t think Crowley realizes just how deep a hold Heaven has on Aziraphale. He knows and straight up says that both sides are toxic, but he doesn’t seem to get how hard it can be to leave a toxic relationship. I also don’t think he understands how Aziraphale’s faith in the righteousness of God is a part of his character.
Plus, Aziraphale finally feels validated in the eyes of Heaven, something he’s always wanted.
I cried so hard when Aziraphale got into that elevator because I was thinking of all the times I stayed with a toxic friend group, or with my abusive ex.
It hurts so badly to watch a character I love make a mistake that I’ve made.
I will forever choose to believe that the metacrisis lets Donna and Rose Noble stay immortal with Fourteen forever.
This has no impact on anything. They still have family dinners and forever take low-key trips through time and space.
No more angst. Just family and magic and happiness and the Doctor in the Tardis with his best friend and his niece.