I Ramble A Lot When Trying To Explain The Eerie And Striking Energy I Get From Hartnell/Troughton Who’s

I ramble a lot when trying to explain the eerie and striking energy I get from Hartnell/Troughton Who’s visuals and atmosphere, and what I’m trying to get at is, like… 

Hartnell’s Gallifrey would be Susan’s beautiful description in The Sensorites, and then just purely 1936′s Things to Come…

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and 1946′s A Matter of Life and Death (kino)…

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… a world of humming mists that had become little more than a museum to history, the Big Bang to Earth to the end, in which one of their number could grumpily sit on massive steps and continue researching his favorite period in un-rewritable, inarguable history… The French Revolution.  

(And then with just a dash, just a DASH, of Maurice Noble.)

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I Ramble A Lot When Trying To Explain The Eerie And Striking Energy I Get From Hartnell/Troughton Who’s

And then meanwhile, Troughton’s Gallifrey would be the glimpses we see in The War Games but expanded to the scale of 1966′s The Time Tunnel, in stark black and white. 

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5 months ago

Hey. Hi. Hello. Today I learned about the existence of 15th century Welsh poet Gwerful Mechain and that she apparently has a surviving work of erotic poems.

Please. For Christmas. For Yule. Please tell me more because I can't read Welsh.

Heh heh. Oh, Gwerful Mechain is the absolute best.

(Quick housekeeping to keep the post manageable - I previously wrote about things like cynghanedd and cywydds and englyns and such here, so check that if you need an explanation.)

What's fun is that we don't know a ton about her, because not a lot got written down about people in her time. Her surviving work covers a 40ish year span at the end of the 1400s to just into the 1500s, but we don't know when she was born or died or anything like that. We know her parents' names? And that she was from Mechain, hence the bardic name. And that she married a guy and had a daughter, something which actually does mark out her body of work as different from her contemporaries; being a wife and mother, she couldn't do the usual bardic role of travelling the country to spread news and play at courts. This means she doesn't have any of the praise poetry that a lot of male bards produced about the lords that hosted them.

But, there's stuff we can piece together about her. For one thing, she was not just literate (not a universal skill for anyone at that point, but especially for women), but she was astonishingly well-read and had what appears to be a classical education, given her poetic references and traditional Welsh meters. For another, her work often had recurring themes of religion, sex, and women's rights, sometimes all at the same time.

At the point Gwerful was active, Welsh bardic culture heavily featured ymrysonau. An ymryson is like... well, I hesitate to say "sort of like a rap battle" after the way everyone and their dog now thinks that's what the Mari Lwyd does, but they were like a cross between a rap battle and the publication war between two rival academics. A bard would write an englyn and publish it in the local parish newsletter. Another bard would see this, and write their own englyn about how stupid the first bard's englyn was, and publish it in the same newsletter. The first bard would see this and retaliate. The second bard would retaliate to that. And on and on it would go, like a printed tennis match for all the parishioners to enjoy, until someone wrote a conclusive verse OR until someone went "Lol, you got me good there" and bowed out with dignity. Sometimes, these things were fucking vicious; but other times, they were just banter between two bards who knew each other and were enjoying the chance to keep their poetic skills in tip top condition.

Now, Gwerful was an active and enthusiastic participant in ymrysonau. We have many examples of her work from these. There are two of particular note that I'll list here, each against a different bard:

Dafydd Llwyd o Fathafarn. Mathafarn and Mechain are not so distant from one another, so no real surprise that these two locked horns a lot, but the impression I always got from their ymrysonau is that they were good mates, actually. These fell into the 'banter' category more often than not. Dafydd was a Welsh Nationalist who was hoping for a Welshman to rise up and throw off the yoke of English oppression, and most of his work is about that, but he turned up the filthy erotic shit for any ymryson with Gwerful because BOY HOWDY was that her specialty. IIRC she did occasionally poke fun at his Welsh Nash leanings, especially his obsession with Mab Darogan (OLD Welsh idea that translates to the Son of Prophesy - the Arthur-style figure that will one day drive out the English overlords), but mostly their ymrysonau were incredibly beautifully-written odes that could be summed up as "Dafydd, my man, my good friend, I mean this sincerely: suck my entire clit".

She often won.

Ieuan Dyfi. God, what a fucking asshole. This one was not banter. Gwerful played for blood with this prick.

We actually would know nothing about Ieuan Dyfi if not for Gwerful Mechain, because it was her poetic response to him that meant his only surviving poems made it to the modern day; that, and the record of him being brought before a church court where he admitted adultery with Anni Goch, a married woman. Oh, and the record of him being brought before the law courts at Liverpool, accused of domestic abuse and gambling? If I remember right?

Two things to know that set the scene for what came next:

One of Gwerful Mechain's surviving poems is an englyn considered to be possibly the oldest extant poem about domestic violence written by a woman: I’w gŵr am ei churo (To the husband who beats her)

Dager drwy goler dy galon - ar osgo I asgwrn dy ddwyfron; Dy lin a dyr, dy law’n don, A’th gleddau i’th goluddion.

There are a lot of translations for this one to try to keep its poeticness, but this one is pretty good:

Through your heart’s lining let there be pressed, slanting down, A dagger to the bone in your chest. Your knee smashed, your hand crushed, may the rest Be gutted by the sword you possessed.

She has others, too, that deal with sexual assault, and something scholars often note about Gwerful is her remarkable knowledge of the law as it pertained to women's issues. So she was not, you see, a woman with a high view of a man accused of domestic violence anyway.

But then Ieuan Dyfi wrote five poems about Anni Goch, the married woman he'd fucked, each more "Wow dude, she said no" than the last, culminating in I Anni Goch; a full cywydd of misogynistic Medieval-incel bullshit about how false and evil women are, which listed all the false and evil women of history including classical and mythological figures.

And. Well. Gwerful had some views.

Her responding cywydd - I ateb Ieuan Dyfi am gywydd Anni Goch - basically blasted the guy back into his own impact crater and disintegrated him. What she did with it, essentially, was to mirror his cywydd. Where he'd gone "Isn't it so true how great men throughout history have always been brought low by women, amirite lads? Here's examples", Gwerful went "Isn't it so true how 'great men' throughout history have behaved appallingly and fucked up through their own actions and then somehow managed to blame women, amirite lads? Here's examples." Where his examples had been historical figures, so were hers. Where his had been classical, so were hers. Where he went Biblical, so did she.

And what's so interesting about that last one is how pointed she was with it - for some reason, in his big list of evil women, Ieuan Dyfi did not go for the most obvious and low-hanging of fruit (no pun intended) - he doesn't cite Eve. In response, Gwerful also sidesteps the most obvious and low hanging of fruit - she doesn't cite Mary. In so doing, she makes it clear that she doesn't even need to.

There is no record of him responding to her. IIRC, there is a record of him doing three years in prison.

But! Outside of all of that, the big thing Gwerful was known for was her erotic poetry. You'll be unsurprised to hear that it wasn't written for shits and giggles - much like today, women of the time were told that most of their value was in their looks, and they had plentiful insecurities about their bodies. Gwerful wrote her erotic stuff to confront those insecurities and shine a light on the issue. There are so many examples of this, but far and away the most famous is definitely Cywydd y Cedor - roughly translated, 'Ode to the Vulva'. Though I have also seen it titled Cywydd y Gont - Ode to the Cunt. It's such a shame that the English language is literally, physically not capable of cynghanedd, because it means unless you learn Welsh you will never understand the beauty and the lyricism of the piece, and how it elevates and undercuts the content at the same time; but it's a joyful, masterful, irreverent work that uses the fancy language male poets were forever dedicating to the rest of a woman's body and applies it squarely to the vulva. In fact it basically opens with "Men are cowards, describe more cunts or gtfo" before launching into its main subject matter. The last line is pro-pubic hair, too, like I really must stress how much Gwerful Mechain would have to offer Tumblr if you could speak Welsh. This is probably her most widely translated piece, though, you can definitely find English versions. Although you can tell how blushing and reticent the translator is - and therefore how sanitised their translation is - by whether they've called it Ode to the Vulva/Cunt, or Ode to the Pubic Hair.

Needless to say, the original is not sanitised.

(Actually, I should also say - this one is also a response piece, probably, but in this case to a bard who lived a century earlier - Dafydd ap Gwilym, the absolutely legendary and uncontested king of Welsh romance poetry. He wrote a poem called Cywydd y Gal - Ode to the Penis. I have only just put two and two together on that.)

As a final note, I should say that my personal favourite Gwerful Mechain poem on this subject, mind, is actually I'w morwyn wrth gachu - to the maiden who is shitting. It's an englyn written in Gwerful's customary high poetic form, but it is what it says - it describes a woman taking a shit, and farting as she does. Beautiful and magical and disgusting and banal, all in one go:

Crwciodd lle dihangodd ei dŵr - ’n grychiast O grochan ei llawdwr; Ei deudwll oedd yn dadwr’, Baw a ddaeth, a bwa o ddŵr

Funnily enough, it's hard to find a good translation for this one lol.

My attempt:

She crouched where her water escaped - creased From the cauldron of her heat; Her two holes were arguing, Shit came, and a bow of water

Eh. It's so bland in English. Honestly, if you could read Welsh...

Anyway, if anyone reading this can read Welsh and wants to read some of Gwerful Mechain's stuff - including some of the pieces she was responding to in the ymrysonau - you can find a load here. Otherwise, I hope you enjoyed!

5 months ago
✨ Back Your Boys At International Rescue! ✨

✨ Back your boys at International Rescue! ✨

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beds in paintings

igor moritz \ paul fenniak \ magi puig catalan in bed \ philip geiger every door (2018) \ maria luque \ carmen pinart \ david hettinger a break in their day \ félix vallotton laid down woman, sleeping (1899) \ edouard vuillard woman in a bed 

for research purposes if you are bisexual reblog and tell me what your phone case looks like


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How To Spot Signs And Symptoms Of Breast Cancer 

How to spot signs and symptoms of Breast Cancer 

Disabled people aren't being class traitors when they report on their civil rights and humanity being violated

4 months ago

Pete Buttigieg is just a faggot.

It's very important to me that younger queers understand this: to the people who you're trying to be more respectable for when you say things like neopronouns set the trans movement back or you're why the cishets don't accept us or including [aces/bi people with the 'wrong kind' of partners/non-binary people/kinksters/non-passing trans ppl/furries/polyam people] just hurts us, can't you wait until we get all our rights before we talk about some of yours? -- to those people? Pete Buttigieg is just a fag.

On Sunday at Pride Northwest, some kids -- late teens, early 20s -- asked what our button I survived Reagan for this? meant. All of the queer adults at the tables making up our ad hoc counter looked at each other and sighed a little. Emet and another adult started to explain the way that the Reagan Administration handled -- or didn't handle -- the beginning of the AIDS crisis. How many people died. How much we were ignored. The Ashes Action. The Time Magazine article which explicitly blamed bisexual men for passing the pandemic to the cishet community, playing on all the worst stereotypical bullshit. The way that even when the CDC started paying attention, they were so focused on gay men that they ignored AIDS in the lesbian community, leading to the "women don't get AIDS, they just die from it" poster. And so on.

I finished counting out change and passed the last Bear Pride raised fist pin over to a bear a little older than me, then turned my head and interjected, "they didn't care until it started infecting more than just the fags." I turned my head back and handed him his change. He laughed bitterly and said, "remember when they called it 'gay cancer?'"

That what I need you to understand. The people for whom you are folding yourself into smaller and smaller boxes will never see you as anything but a freak. A queer. A dyke. A tranny. A fag.

Never.

These are people who will stand by and let you wither away and die alone, gasping for breath in a cinderblock room, and not even claim your ashes, and they will say you deserve it, because of your lifestyle. If they speak of you at all it will be by the wrong name, with the pictures you hate the most. They will curse at your lover, throw him out of the home you shared, and steal the gift you gave last Christmas to throw it in the trash just so he can't have it and they'll say Jesus loves you! while they do it. They'll feel good and righteous and blessed and holy and pure for doing it.

And for them, you spit in the eye of your sister. For them, you disavow your sibling. For their sake, you trim away bits of your heart and lace yourself up tight. Never too loud. Never too queer. Never inconvenient or embarrassing, never asking for too much.

Pete Buttigieg is what happens when your Boomer dad turns out gay. Middle America. Parents still married. Suburban-sprouted. Valedictorian. Harvard-educated. Rhodes Scholarship. Military service. More power to him: I hope he and Chasten are very happy together. Genuinely, I do.

You couldn't create a more respectable gay if you grew one in a lab run by concerned voter focus groups.

But Pete Buttigieg? Is just a fag.

That's the part you don't seem to get: when they abandoned us, they abandoned all of us. Rock Hudson was a beloved movie star and even personally friendly with that horrid pair of ambitious jackals. Nancy Reagan refused to help him get into the only place in the world that could treat him at the time, and he died.

It was 1985, 4 years after the CDC first released papers on what would eventually become known as HIV/AIDS and 7 years after the first known death from an infection from HIV-2. Reagan hadn't even said the word AIDS by the time Hudson died.

Pete Buttigieg is just a fag, and so am I. Unless I'm a dyke, which seems to depend on who's yelling what from which window and what day it is.

Yes, there will be people who genuinely love and accept you. Those people are worth all the frustration of the rest, thankfully, and they're the ones who love you in a pup mask or a leather harness and a neon jock like the ones sold by the men up the row from us last weekend. They're the ones who laugh out loud when you tell them you hid the word "dyke" in your company name, the ones who love you in all your messiness and uncertainty and the way you don't fit into neat boxes all scrubbed up and clean.

Most cishets, though... well, they don't actively mean you specifically any harm, at least not when they have to look at you. Not when you're right there in front of them. Maybe they'll be okay with you, personally, especially if you're the kind of gay who makes a good rhetorical device, and as long as you remain a good rhetorical device.

They need people to know that they don't have a problem with the gays, after all, and there you are, being all convenient. You make a nice token, and as long as you do, well. You're useful.

But they call you by your deadname when you're not around, and they put the wrong pronouns in your medical record even though they met you years after you came out, and they won't put themselves out to save you. Not one little bit.

I didn't want to be here again. The year I graduated from high school was the worst year of the AIDS crisis. The world into which I became an adult was a world in which an advisor and friend to Reagan, William F. Buckley, openly advocated for forcibly tattooing the HIV status of HIV+ gay men on their buttocks (and IV drug users on their forearms), and in which my father not only told me that when I was 14 or so, but when was told me that he'd advocated for that tattoo being "over their assholes."

(Buckley wrote that in '86, but he doubled down on it in 2005.

Fucker.)

But yeah. I didn't want to be here again. I wanted my daughter to inherit a better world. I wanted Obergefell and Lawrence v. Texas and Hope & Change to really mean something. I work for it, today and all days. I haven't given up.

I need you to know that, too. This isn't a white flag. I'm not surrendering. This isn't over. To misquote Henry Rollins, this is what Marsha and Sylvia and Stormé and Leslie and Brenda and Auntie Sugar trained us for. This is punk rock time.

But I need you to understand that if Pete Buttigieg is just a fag, if that human embodiment of a Wonder Bread, mayo and Oscar Meyer bologna sandwich is not respectable enough for them -- and he's not -- then the rest of us have absolutely no hope of measuring up. Not even if we trim away every colorful, beautiful piece of our community, not even if the Sisters Of Perpetual Indulgence vanish into the ether, not even if we sacrifice the five elements of vogue on the altar of white supremacist cishet middle-class conformity: we can't trim ourselves down to something they'll accept.

The only other option is radical acceptance of our queer selves. The only other option is solidarity. The only other option is for fats and femme queens and drags and kinksters and queers and zine writers and sex workers and furries and addicts and kids and the ones who can look us in the eye and see all of us to say we're here, we're queer, get used to it just the way we did 30 years ago. It's revolutionary, complete and total acceptance of our entire community, not just the ones the cishets can pretend to be comfortable with as long as we don't challenge them too much, or it's conceding the shoreline inch by inch to the rising waters of fascism until we've got nowhere left to stand and some of us start drowning.

That's it. Either it's all of us or it's none of us, because if we leave the answer up to the Reagans of the world and all the people who enabled him in the name of lower taxes and Democrats who wring their hands, weeping oh I don't agree with it but we'll lose the election if we fight it right now, the answer is none of us.

The brunch gays can come, too, I guess.

2 months ago

https://vm.tiktok.com/ZTdQuxw52/

I think I found my new favorite rabbit hole. This voice actor does Shakespeare scenes in a southern accent and I need to see the whole damn play. Absolutely beautiful

We will never know their names.

The first victim could not have been recorded, for there was no written language to record it. They were someone’s daughter, or son, and someone’s friend, and they were loved by those around them. And they were in pain, covered in rashes, confused, scared, not knowing why this was happening to them or what they could do about it - victim of a mad, inhuman god. There was nothing to be done - humanity was not strong enough, not aware enough, not knowledgeable enough, to fight back against a monster that could not be seen.

It was in Ancient Egypt, where it attacked slave and pharaoh alike. In Rome, it effortlessly decimated armies. It killed in Syria. It killed in Moscow.  In India, five million dead. It killed a thousand Europeans every day in the 18th century. It killed more than fifty million Native Americans. From the Peloponnesian War to the Civil War, it slew more soldiers and civilians than any weapon, any soldier, any army (Not that this stopped the most foolish and empty souls from attempting to harness the demon as a weapon against their enemies).

Cultures grew and faltered, and it remained. Empires rose and fell, and it thrived. Ideologies waxed and waned, but it did not care. Kill. Maim. Spread. An ancient, mad god, hidden from view, that could not be fought, could not be confronted, could not even be comprehended. Not the only one of its kind, but the most devastating.

For a long time, there was no hope - only the bitter, hollow endurance of survivors.

In China, in the 10th century, humanity began to fight back.

It was observed that survivors of the mad god’s curse would never be touched again: they had taken a portion of that power into themselves, and were so protected from it. Not only that, but this power could be shared by consuming a remnant of the wounds. There was a price, for you could not take the god’s power without first defeating it - but a smaller battle, on humanity’s terms. By the 16th century, the technique spread, to India, across Asia, the Ottoman Empire and, in the 18th century, Europe. In 1796, a more powerful technique was discovered by Edward Jenner.

An idea began to take hold: Perhaps the ancient god could be killed.

A whisper became a voice; a voice became a call; a call became a battle cry, sweeping across villages, cities, nations. Humanity began to cooperate, spreading the protective power across the globe, dispatching masters of the craft to protect whole populations. People who had once been sworn enemies joined in common cause for this one battle. Governments mandated that all citizens protect themselves, for giving the ancient enemy a single life would put millions in danger.

And, inch by inch, humanity drove its enemy back. Fewer friends wept; Fewer neighbors were crippled; Fewer parents had to bury their children.

At the dawn of the 20th century, for the first time, humanity banished the enemy from entire regions of the world. Humanity faltered many times in its efforts, but there individuals who never gave up, who fought for the dream of a world where no child or loved one would ever fear the demon ever again. Viktor Zhdanov, who called for humanity to unite in a final push against the demon; The great tactician Karel Raška, who conceived of a strategy to annihilate the enemy; Donald Henderson, who led the efforts of those final days.

The enemy grew weaker. Millions became thousands, thousands became dozens. And then, when the enemy did strike, scores of humans came forth to defy it, protecting all those whom it might endanger.

The enemy’s last attack in the wild was on Ali Maow Maalin, in 1977. For months afterwards, dedicated humans swept the surrounding area, seeking out any last, desperate hiding place where the enemy might yet remain.

They found none.

35 years ago, on December 9th, 1979, humanity declared victory.

This one evil, the horror from beyond memory, the monster that took 500 million people from this world - was destroyed.

You are a member of the species that did that. Never forget what we are capable of, when we band together and declare battle on what is broken in the world.

Happy Smallpox Eradication Day.

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thestarsarenotyetnamed - All these constellations are alien
All these constellations are alien

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